Hazel and Augustus’ shared love of reading inspires a trip to Amsterdam to seek out the reclusive writer of Hazel’s favorite novel, the fictitious "An Imperial Affliction," which also happens to be about a young woman living with cancer. Their pairing feels like a missed opportunity. Elgort is boyishly handsome (in a way that’s distractingly reminiscent of " Love Story"-era Ryan O’Neal, actually) but never quite radiates the charisma required to keep up with Woodley. His character is meant to be a bit pompous and formal in the beginning but instead comes off as nervous, and even seems to be rushing or slurring his lines at times. While Woodley navigates the complexity of Green’s dialogue with ease, Elgort seems stiff and uncomfortable by comparison.
In Hazel, he immediately recognizes a kindred spirit: a quick-witted smart-ass who can’t take any of the feel-good platitudes seriously. A former high school basketball star, Augustus lost his right leg below the knee to the disease and now walks with a prosthetic. There, she meets the handsome and equally loquacious Augustus Waters ( Ansel Elgort, who coincidentally played Woodley’s brother earlier this year in "Divergent"). Mom insists that Hazel attends weekly cancer support group meetings (where comedian Mike Birbiglia is the amusingly earnest leader).
Her parents ( Laura Dern and Sam Trammell, with whom she shares some lovely, honest moments) try not to hover over their daughter as she attempts to maintain some vague semblance of teenage life, and they even share her fondness for using dark humor to defuse difficult moments.
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While her situation looked bleak a few years ago, participation in a new drug trial has prolonged her life for an indefinite amount of time. It weakens her lungs, forcing her to drag an oxygen tank behind her wherever she goes and to stop to rest after climbing a flight of stairs. Woodley stars as Hazel Grace Lancaster, a 16-year-old Indianapolis girl who’s diagnosed with cancer at 13. Her work is so strong, it makes you wish she had a better performance to play off of to create the sparky chemistry at the heart of this story.
Following winning turns in the indie dramas " The Descendants" and "The Spectacular Now," and the blockbuster " Divergent," Woodley continues to cement her accessible and likable on-screen persona. Still, Shailene Woodley’s abiding, disarming naturalism consistently keeps you engaged. But while the flip, jaunty verbosity they use as a shield produces some pleasingly acerbic humor, it often feels forced and false in this setting. There’s a specificity to Green’s language his characters are hyper-verbal, self-aware and fiercely biting in the tradition of " Heathers" and " Clueless." They know all too well that pop culture depicts cancer-especially young people with cancer-in a mawkish manner that they refuse to accept as they regard their own conditions. Weber, who also wrote the romantic charmers " (500) Days of Summer" and " The Spectacular Now," remained very faithful to the book, which should make the core tween/teen fan base happy.
(Screenwriters Scott Neustadter and Michael H. So much of what worked on the page-and made Green’s writing so lively and engaging-gets lost in translation and feels uncomfortably precocious when actual people actually say his words out loud.
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